young money
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Lacks everything that made the first Pink Friday significant.
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Not living up to its somber title and introduction, Funeral is another unfocused and bloated album from Lil Wayne.
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10 years on from its initial release, Drake’s breakthrough mixtape remains a mixed bag, albeit a somewhat groundbreaking one.
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Lil Wayne is in rare form on the best parts of his fifth installment of the Carter series, but bogs this album’s full potential down in a number of underwhelming cuts too.
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Nicki Minaj still has her energy, technical ability, and sharp lyricism going for her, but too often on Queen these are drowned out by generic production and horrid features.
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Drake achieves auditory indifference with his new “playlist.”
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Canada’s own Drake returns with his most drab commercial release yet.
