pop rap
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The all-American boyband makes its major label debut with an album that shows emotional and creative maturation despite occasionally gimmicky production and some members getting outshined by others.
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Zoo‘s songs, with only a couple of exceptions, range from boring to awful and are further weighed down by Russ’s crummy mindset.
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Eminem falls just short of ending his career on his latest album, Kamikaze.
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Nicki Minaj still has her energy, technical ability, and sharp lyricism going for her, but too often on Queen these are drowned out by generic production and horrid features.
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On Swimming, Mac Miller continues to work outside of his strengths without improving at all upon the obvious weaknesses of his previous album.
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Head in the Clouds blends into the current wave of trap-flavored pop rap a little too well.
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Everything Is Love relies too heavily on its star power to feel anywhere near as consequential as Lemonade or 4:44.
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The fuck am I looking at—a Brockhampton music video that’s not in 4:3? Y’all were right: RCA changed them! Piss-take aside, “1999 WILDFIRE” is the All-American Boyband’s first official single of the year, promoting their upcoming album The Best Years of Our Lives, and it’
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Sorry to run with the obvious music critic quip, but it is pretty hard to hear what’s so redeeming about Redemption.
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Scorpion continues Drake’s streak of projects that have been padded out to oblivion.
