Indie rock sweetheart Telekinesis takes it upon himself to cover the great PJ Harvey on this new version of “This Is Love,” which was originally conceived for 2000’s Stories From the City, Stories From the Sea. Oh, and did you hear PJ’s album last year? Boss!!!! /via/
With Centipede Hz, experimental music outfit Animal Collective is following its poppiest album, 2009’s Merriweather Post Pavilion, with one of its most hectic.
On their debut full-length, extreme music supergroup Murder Construct releases what will probably be my favorite grindcore album of 2012. WATCH THE REVIEW
Working with the spacious and slow jam-inspired sound that was defined on 2011’s With U EP, Holy Other is now taking his style to the full-length format. WATCH THE REVIEW
Electronic music producer Four Tet assembles the 12″ house singles he’s been sporadically releasing throughout the year, and places ’em on this new compilation, Pink. WATCH THE REVIEW
On their first album for Shady Records, hip hop supergroup incorporates a disappointing amount of commercialized beats and hooks, which really kills what little lyrical chemistry these guys have going for them. WATCH THE REVIEW
After a three-year silence, London’s minimalistic indie pop group The xx is back with their sophomore album. Titled Coexist, the record is the followup to 2009’s (sort of) self-titled xx. The band has made it available to stream via an embeddable widget, which you can find above. Those
After a three-year silence, London’s minimalistic indie pop group The xx is back with their sophomore album. Titled Coexist, the record is the followup to 2009’s (sort of) self-titled xx. The band has made it available to stream via an embeddable widget, which you can find above. Those
You can now give a the full album from Julian Koster’s The Music Tapes a listen, the album officially came out September 4th, but has been put on soundcloud by Merge records. The album is called Mary’s Voice and is about as odd and whimsical as one would
With modern cameras capable of capturing colors we don’t even have names for, the decision to shoot in black-and-white is not a decision to be made lightly. In his video for the David Byrne/St. Vincent collaborative song “Who,” director Martin de Thurah not only uses black-and-white to establish
