eai
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An excerpt from Earnest Rubbish, a collaborative album by field recording artists Matthew Revert and Vanessa Rossetto, out February 29 via Erstwhile.
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An excerpt from the second track of Amorphous Spores, a collaboration between Japanese EAI artists Takahiro Kawaguchi and Utah Kawasaki, out via Erstwhile.
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Popeth by Aaron Dilloway & Jason Lescalleet “Popeth” means “everything” in Welsh. It’s also the name of the latest collaborative full-length from enlightened noisesmiths Aaron Dilloway and Jason Lescalleet, properly following up their 2012 team-up Grapes and Snakes. Above, find Popeth centerpiece “Western Nest,” whose masterful bonding of lulling
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THIS IS WHAT I DO – VOLUME THREE by Jason Lescalleet Jason Lescalleet is coming forward as a proponent for the virtue of instant gratification with monthly/quarterly subscription series This Is What I Do (deets on his Glistening Examples website). In an interview with Tiny Mix Tapes, the musique concrète
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https://soundcloud.com/rune-grammofon/supersilent-121 On its 12th album, Norway’s eminent free improvisational outfit Supersilent is still managing to turn out some pretty evocative and extraordinary music. Having dabbled in avant-garde jazz, EAI, noise, and experimental rock throughout its career, the trio now finds itself in a decidedly dark
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https://soundcloud.com/lescalleet/kevin-drumm-jason-lescalleet-the-echo-of-your-past-excerpt OK, I want to give a quick shout-out to this latest collaboration between seasoned electro-acoustic/drone/avant-garde/whatever artists Kevin Drumm and Jason Lescalleet – with The Abyss, they have turned out what is without question one of the darkest, most abject musical works I’ve
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On this new collaborative effort from Tim Hecker and Daniel Lopatin, the two artists combine their respective approaches to ambient and experimental music in a way even the most casual fans can predict. That’s not a bad thing, though. Where this album falls short is in writing and execution,
