blues rock
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On this self-titled album, Zeal and Ardor don’t define their sound so much as water it down.
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If you’re not already a fan of Bob Dylan’s 21st century output, Rough and Rowdy Ways probably won’t do much to change that.
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Bombastic production isn’t enough to save Help Us Stranger’s often shabby songwriting.
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While it’s certainly pleasant and stands out in the current mainstream music landscape, Hozier’s latest EP doesn’t offer much that indie songwriters and folk artists haven’t done better in the past couple of decades.
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Lucinda wears her experience and age on her sleeve with this latest record.
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NY rapper Action Bronson comes through with his glitziest album yet, loaded with classy piano instrumentals and over-the-top lyrics. It’s the mountains of filler after the first third of the LP that kills it, tho.
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In a year when newcomers like Ty Segall and The Men are making cutting, aggressive garage rock records, it can be easy to forget about the band who led that revivalist charge in the first place. As if acutely aware of the current garage rock trends, the legendary Jon Spencer
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On their latest album, the Strange Boys leave most of their garage rock elements behind in favor of a style that’s got more in common with blues rock and alternative country. Surprisingly, it’s a smooth transition. WATCH THE REVIEW
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Classic rock revivalists Rival Sons have dropped a new video for the track “All Over the Road.” I reviewed the album this song comes from, Pressure & Time, a while back. Check it out here. If this track hooks you, check out the rest of the album. Believe me when
