baroque
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Weezer’s 2021 output is off to a great start with OK Human.
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Spirituality and Distortion might just be Igorrr’s most uncompromising album so far—for better or worse.
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Despite faltering in its third act, Savage Sinusoid is so far Igorrr’s most palatable blend of breakcore, metal, and baroque sounds.
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Julia Holter’s latest record is one of the most heavenly albums I’ve heard in the past five years.
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Destroyer’s latest record continues to show singer-songwriter Dan Bejar’s talents as the modern age’s preeminent rock poet.
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Behold, the epitome of superficial nostalgia!
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I’ve been on the fence about many albums this year, but this is one of the few where I’m torn. For every great moment on the new Arcade Fire record, there’s one that falls incredibly short of whatever stylistic mark the band was shooting for. Rather than
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Vampire Weekend’s latest album is a worth sequel to 2010’s Contra, presenting songs that truly stand on the merits of their memorable writing and lush instrumentation. WATCH THE REVIEW
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Circadian Tremors by The Act of Estimating as Worthless Since the moment I heard them, New York’s the Act of Estimating as Worthless has showcased an interesting combination of quaintly lethargic vocals and incredibly ambitious instrumentation. It’s somewhat like an emotionally raw and baroque pop-influenced version of the
