On his sophomore album Compassion, Forest Swords’ unique style of dramatic, meditative, and primal ambient dub offers some much needed respite from the trend-chasing nature of modern electronic music.
After Laughter, Paramore’s first album in four years, finds the pop punk band going through a synthpop metamorphosis.
Harry Styles’ solo debut falls way short of its quality singles. Also HOW IS THERE DAD ROCK ON THIS THING?
No Shape is Perfume Genius’ grandest and most eclectic musical statement to date.
The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
The latest single from Fleet Foxes‘ long-awaited third album receives a strange and cinematic music video. Crack-Up will be released officially (wink) on June 16 via Nonesuch.
Poisoned Blood by Witch Vomit A single from Poisoned Blood, an upcoming EP by Portland death metal trio Witch Vomit, out June 30 via 20 Buck Spin.
billy woods has shared the lead single and video from Known Unknowns, the follow-up to 2015’s Today, I Wrote Nothing. That album was woods’ most abstract project to date, but with “Groundhogs Day” we seem to be picking up more where his 2013 album, Dour Candy, left off. Blockhead
Miya Folick, the latest signee of Terrible Records, comes through with a single that rekindles the spirit of ’90s alt-rock and announces her as a singer-songwriter worth keeping an eye on. The track will appear on Miya’s sophomore EP, Give It to Me, which is due out sometime in
Slowdive’s first album in over two decades finds the band’s once heavenly wall of sound turning anemic.
