art pop
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Following the (fraternal) twin lead singles “Leave It in My Dreams” and “QYURRYUS,” The Voidz have shared “Pointlessness,” the closing track of their sophomore album Virtue. As the title suggests, the song is a bit of a downer in both theme and sonic palette, but judging from this and Tyranny
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Apart from a few bright spots, I can feel you creep contains Tune-Yards’ most uninteresting and obnoxious material to date.
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With Ash, the Diaz sisters return for a sophomore record of soulful, minimal art pop.
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Utopia is one of Björk’s most majestic and revealing albums yet, but it’s also her most bloated and unkempt.
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British singer-songwriter Benjamin Clementine brings more bells and whistles on his sophomore album I Tell a Fly, but it’s unfortunately a case of more being less.
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Fever Ray returns in a diminished capacity with a long-awaited sophomore album.
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SOPHIE has returned with a single that’s quite unlike the bubblegum bass bangers that put her on the map. “It’s Okay to Cry” is instead an emotional, slow-burning art pop ballad that shows off the artist’s tender side. Fittingly, the song comes with a video wherein the
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St. Vincent delivers her most inconsistent album yet with MASSEDUCTION.
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Kelela’s debut album is a great representation of how cutting edge the alternative R&B genre can be.
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Here’s the beautiful and formless lead single from Björk’s forthcoming follow-up to Vulnicura, Utopia. It’s due out sometime in November, so there’s still time to ponder how much like Tinder the album’s going to sound. (Probably not much.) Update You can watch the song’s
