vlog
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The new Christian Mistress record is a heavy metal throwback that’s self aware enough to find a definitive spot for itself in the genre. Oh, yeah, the songs are really catchy, too. WATCH THE REVIEW / LOVED
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Gorillaz, James Murphy, and Andre 3000 go above and beyond in this 13-minute pop, rock, hip hop, and electronic epic. WATCH THE REVIEW
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Sleigh Bells’ latest album features a high-fidelity recording quality that makes its sound much more palatable than the music on the duo’s debut album, Treats. But beyond that, the band hasn’t changed its tune all that much. WATCH THE REVIEW
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With loads of beautiful sounds and intensely sad emotions, the new Perfume Genius record brings together an assembly of powerful, yet short, songs. WATCH THE REVIEW
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On the third album to come from the Canadian synth pop project Grimes, the songs feel a little undercooked–however, I will this this project has a nice, clear sound and style. WATCH THE REVIEW
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On the new Goatwhore album–it’s the fifth in the band’s discography–the New Orleans outfit delivers a tighter, catchier style of its usual blend of thrash, black metal, and death metal. WATCH THE REVIEW
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On the sophomore effort of the indie pop band Tennis, the production and singing is noticeably better. If you dig your pop simple, then it’s worth a listen. WATCH THE REVIEW
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The elusive London-based electronica producer, Burial, drops a stellar set of new tracks on his latest EP. WATCH THE REVIEW
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Though the second installment of Angels of Darkness, Demons of light fixes some of the issues I had with the first, I can’t seem to shake this incredibly strong feeling of musical deja vu. WATCH THE REVIEW
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On Portico Quartet’s third album, the London-based band creates an impressive mixture of sounds from jazz and electronica. WATCH THE REVIEW
