vlog
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Mount Eerie drops the second album that was promised in 2012, and while it is a bit more aggressive than its predecessor, Clear Moon, it’s surprisingly disjointed. WATCH THE REVIEW
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On his third full-length album, Swedish singer-songwriter Jens Lekman returns with a more simplistic approach, toning down the extremely colorful instrumentation that coated his last LP. Thankfully, the man’s charm and wit is all this album needs to stay afloat. WATCH THE REVIEW
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With Centipede Hz, experimental music outfit Animal Collective is following its poppiest album, 2009’s Merriweather Post Pavilion, with one of its most hectic.
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On their debut full-length, extreme music supergroup Murder Construct releases what will probably be my favorite grindcore album of 2012. WATCH THE REVIEW
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California death metal outfit the Faceless move in a slightly softer direction on their their album, including plenty of melodic guitar passages and cleanly sung vocals. WATCH THE REVIEW
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On Matthew Dear’s fifth full-length album, the singer-producer improves his grooves and lyrics while making his definitive, dark-as-hell sound a bit more colorful than usual. WATCH THE REVIEW
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Bloc Party returns after a self-imposed hiatus with a true blue rock album. WATCH THE REVIEW
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Improving on the project’s debut in 2010, Gemini, Jack Tatum’s Wild Nothing presents a group of dreamy, well-written, and catchy songs on its sophomore release. WATCH THE REVIEW
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On this debut full-length Eprom explores some interesting musical ideas, bringing together the sounds of glitch hop, future garage, dubstep, and more. Frankly, there’s not much the guy doesn’t try out between these three tracks. But what kinda pulls them all together is that he maintains a certain
