video review

  • If my son had made this album, I’d say this: “This is a strong debut, son. Strong debut.” WATCH THE REVIEW

  • This Will Destroy You’s latest LP starts and finishes with flying colors, but it gets a little underwhelming in the middle for me. Hearing the band revisit old sounds, work with an odd drum mix, and working with similar structures throughout this album make me rethink my original love

  • On their sophomore album, Australia’s the UV Race brings garage rock to a dirtier and grimier level than most. The band’s loose song structures and loose playing bring a lot of, well, “character” to these recordings. There are flubbed notes everywhere, and it’s all for the sake

  • On this new track, Bon Iver has altered the instrumentation his somber tunes soak in, but not much else. Years after For Emma has dropped, the mood as stayed roughly the same–which is a pretty great thing, to me. Sincerity, earnestness, honesty, and passion all come through on this

  • On hit latest release, Amon Tobin isn’t building songs as much as he is sounds. The textures on most of this album are absolutely amazing, and among the best this Brazilian electronica producer has ever created. I love how abstract, adventurous, and mind-bending the first two thirds of this

  • On the band’s latest album, Manchester Orchestra seems to lose of a lot of the passion and rock ‘n’ roll momentum that have made their last two LPs pretty decent. They’ve exchanged this for some relatively heavier production and string arrangements. In my opinion, it wasn’t that

  • On Liturgy’s latest album, the interplay and musicianship that made 2009’s Renihilation so memorable are magnified with tons of syncopation and detail. Another great addition to this band’s style is their use of swells and crescendos, and it’s not in the cliche post-rock way that we’

  • Turtleneck and Chain has some pretty memorable tacks on it, to be honest. Some of these might be the best this comedy rap outfit has ever penned. “I Just Had Sex” has already blown most of their other videos away on the view count, and the title track is a

  • Wild Beast’s Smother shows the band toning things down, and making a sound that comes off eerier than the material on their previous two albums. Though this LP still holds some of the grooves their last albums did, the songs here carry a much more serious tone–maybe too