synthpop
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More than just an oddity in The Strokes’ catalog, The New Abnormal is a return to form after the disappointing Comedown Machine.
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Despite not sticking the landing, Future Nostalgia is a significant leap forward from Dua Lipa’s so-so debut.
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After Hours is a fruitful reinvention of The Weeknd.
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For better or worse—mostly worse—Miss Anthropocene sounds as if it was made by an untrained Grimes A.I.
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The Slow Rush‘s deep cuts don’t deliver on the promise of its introspective and infectious lead singles.
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Beck caps off the blandest decade of his career with arguably his blandest album to date.
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A quick review of the new Kero Kero Bonito EP—it’s good!
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Alex Cameron has a talent for writing witty and smart songs about love and masculinity from a male perspective.
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Dedicated mostly sounds like a second helping of Emotion, which isn’t such a bad thing.
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While much of your enjoyment of Electric Lady Sessions will depend on your enjoyment of American Dream, that material does benefit from the more in-the-moment sound here.
