sony
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Priest is still sounding triumphant on Invincible Shield.
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Whereas both volumes of Musas were different beasts, Un canto por México vol. 2 mostly feels supplementary.
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El Madrileño is hopefully the beginning of an exciting new trajectory for C. Tangana.
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With POST HUMAN, BMTH dives deeper into their rejuvenation of turn-of-the-millennium metal.
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Natalia Lafourcade’s latest album is a wonderful tribute to the many sounds Mexican folk music has to offer.
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The production and vocal performances on Pony are considerable steps down from Rex Orange County’s previous efforts.
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Vampire Weekend embraces quantity over quality on Father of the Bride.
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Rosalía makes a fantastic transition into modern pop aesthetics without sacrificing her flamenco roots.
