singer-songwriter
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Home, before and after is pervaded by solid songwriting and a truckload of additional instrumentation that might prove to be a dealbreaker for some.
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The music on Preacher’s Daughter could offer its harrowing narrative more support.
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Angel leaning more into a country sound goes over well, unsurprisingly. Big Time by Angel Olsen
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WBGATAW contains Sharon Van Etten’s biggest-sounding songs to date, which is maybe to the album’s detriment sometimes.
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Daniel Rossen’s solo debut stands taller than many Grizzly Bear albums, which is saying something. You Belong There by Daniel Rossen
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This album doesn’t drag on at all.
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What Marchita has in concision it also has in beauty and emotional potency.
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Elliott Smith’s self-titled sophomore album is a devastating masterpiece of indie folk.
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The Path of the Clouds is easily Marissa Nadler’s most instrumentally dense solo project to date, which is mostly a blessing.
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Blue Banisters sounds more slapped together than Lana’s past two LPs.
