review
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After Hours is a fruitful reinvention of The Weeknd.
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Purple Moonlight Pages is a thought-provoking self-portrait of the artist formerly known as Milo, as well as just a damn good jazz rap album.
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While Machine Girl’s musical extremity remains admirable, the songwriting and mixing on U-Void Synthesizer fall flat.
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Code Orange updates metalcore for the 2020s on their latest album.
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LUV vs. the World 2‘s clearer, punchier production and quality features make it a slight improvement over the album it’s supplementing.
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Megan’s foray into autotuned trap balladry on Suga‘s last few tracks is ultimately the EP’s downfall.
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Everything Is Beautiful and Everything Sucks are solid testaments to both sides of Princess Nokia.
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The impact of Loathe’s ferocious riffs is sometimes dampened by the band’s obvious points of influence.
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Heavy Light rapidly loses momentum after the first couple of songs.
