review
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Quiet Signs is a meager helping of Jessica Pratt’s pretty and subtly psychedelic style of folk songwriting.
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10 years on from its initial release, Drake’s breakthrough mixtape remains a mixed bag, albeit a somewhat groundbreaking one.
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Xiu Xiu delivers what might be its most adventurous and harrowing album to date… which is saying a lot.
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While much of your enjoyment of Electric Lady Sessions will depend on your enjoyment of American Dream, that material does benefit from the more in-the-moment sound here.
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Panda Bear’s latest solo outing sees his psychedelic brand of surreal folk submerged under an ocean of cascading delays and nautical vibes.
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Sweetener is no longer Ariana Grande’s strongest album.
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Bawskee 2 sounds like something a South Florida rapper would’ve uploaded to Soundcloud two years ago.
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Maggie Rogers’ debut studio album doesn’t have much in the way of memorable songwriting or a distinctive voice.
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Gallipoli lacks the romance and wonder that made Beirut great in the first place.
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As introspective as ever, Compton rapper Boogie shows plenty of potential and room for creative growth on his debut studio album.
