post-industrial
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Though structurally jarring, SOPHIE’s full-length debut is an unforgettable and potentially DNA-altering pop album.
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Age Of is abstract ear candy at its highest points, but is ultimately Oneohtrix Point Never’s least realized album in some time. The vocal tracks in the front half are particularly an Achilles’ heel.
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Utopia is one of Björk’s most majestic and revealing albums yet, but it’s also her most bloated and unkempt.
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Liars’ TFCF is one of the band’s most isolated, tedious, and disappointing releases yet.
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Alice Glass brings back the original appeal and energy of Crystal Castles and comes into her own as a solo artist with this self-titled debut EP.
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Algiers blow the sophomore slump out of the water with The Underside of Power, a more intense and versatile album than the band’s self-titled debut.
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Ready to follow up their awesome self-titled debut, industrial gospel outfit Algiers have unleashed the title track of their sophomore effort The Underside of Power. Peep the ecstatically dark and rebellious video for it above and look forward to the album dropping June 23 via Matador!
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Arca’s voice is a welcome addition to her otherworldly production style on her self-titled album, but sadly, many of my reservations about her past full-length efforts still stand.
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Blanck Mass makes a grand, industrial-flavored return with World Eater.
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Xiu Xiu returns after a seriously prolific streak with a new collection of original material via Polyvinyl Records.
