post-industrial
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Xiu Xiu's catchiest album since Forget, and potentially a great gateway to their body of work.
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Exhilarating, inspired, and poignant at points, Fossora still feels like one of Björk’s least fully realized albums. fossora by Björk
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The narrative of Glitch Princess sometimes trumps its music, though there are several beautiful highlights on that front too.
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Eternal Home is seriously impressive in its scope and eclecticism, almost overbearingly so in some pockets.
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The songs on Delta Estácio Blues are quality, varied, and unlike much of anything else this year.
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Xiu Xiu delivers what might be its most adventurous and harrowing album to date… which is saying a lot.
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Kai Whiston’s debut album introduces him as one of the most promising up-and-comers in the blooming deconstructed club genre.
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For as enjoyable as many of them are, Yves Tumor’s pop tunes and comparatively experimental soundscapes don’t really reinforce one another on Safe in the Hands of Love.