Pop
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Let’s Eat Grandma’s sophomore album is a hodgepodge of mostly great ideas.
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Melody Prochet has bounced back with some of the freshest ideas coming out of neo-psych right now.
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Pretty much all the awkward kinks in The Internet’s previous albums evaporate on Hive Mind.
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Back to being a band, Dirty Projectors squanders a fair bit of potential on Lamp Lit Prose.
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serpentwithfeet’s debut album adeptly presents love in a simultaneously sweet and unsettling light, only occasionally being held back by some uneventful instrumentals.
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Florence + The Machine exercise a bit more restraint than usual on High as Hope.
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Still lacking a distinct voice as a singer and lyricist, Teyana Taylor is frequently outshined by her collaborators on K.T.S.E.
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The fuck am I looking at—a Brockhampton music video that’s not in 4:3? Y’all were right: RCA changed them! Piss-take aside, “1999 WILDFIRE” is the All-American Boyband’s first official single of the year, promoting their upcoming album The Best Years of Our Lives, and it’
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The Now Now is a pleasant mood album while it’s on—especially in comparison to Humanz—but it’s still relatively low-impact.
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Though structurally jarring, SOPHIE’s full-length debut is an unforgettable and potentially DNA-altering pop album.
