Pop
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After Hours is a fruitful reinvention of The Weeknd.
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Heavy Light rapidly loses momentum after the first couple of songs.
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For better or worse—mostly worse—Miss Anthropocene sounds as if it was made by an untrained Grimes A.I.
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While it has quite a few highlights, Map of the Soul: 7 is bogged down in some of the most derivative and thankless songs of BTS’s career.
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No Future runs like a compilation of alt-R&B and indietronic cliches.
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The Slow Rush‘s deep cuts don’t deliver on the promise of its introspective and infectious lead singles.
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070 Shake’s debut album delivers a futuristic fusion of art pop and rap, but falls short on the songwriting front.
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Circles is the finest musical send-off any Mac Miller fan could have asked for.