• As many of you may know, Josh Tillman, a.k.a. the former drummer of Fleet Foxes, released his debut album, Fear Fun, a couple of weeks ago via Sub Pop Records. The album features this track, “This is Sally Hatchet,” which now has a video that you can watch

  • ambient

    “Battenburg Variation” is an ambient electronic track by UK act Uther Moads. This is a tough track to nail down genre-wise. It’s ambient in nature, but certainly uses some clear rhythms and a set tempo to keep the song moving. This is a relaxing track, up until the end,

  • Is jazz becoming relevant again? It seems like a bit of a chicken/egg situation right now, but in my life since my friends got into the excellent BBNG2, modern jazz has been sneaking into my listening. “Everytime I See You” is one of these tracks. It’s a great

  • 2012

    Beatmusic producer Gold Panda has digitally released a brand new single fro Ghostly International, which will be available physically on July 11th. The dude’s 2010 album Lucky Shiner wasn’t one of my favorites of that year, but there’s still a lotta production chops there I can’t

  • 2012

    A lot like the band Torche with its latest album, Harmonicraft, sludgesters Baroness seem to be moving their heavy rock sound into more accessible territory. “Take My Bones Away” is the first track to drop from the band’s forthcoming Yellow & Green album, which will be out on Relapse

  • Texas garage rock eccentrics Fergus & Geronimo have a new track out, and it doesn’t disappoint. Not at all. Nope. Well, maybe it’s a bit short, but the duo makes up for it with an extremely catchy hook and personality. The track opens up with a miss “Heather

  • 2012

    A track written by Jack Dishel, a.k.a. Only Son, that features Regina Spektor was released on the 2011 Only Son album Searchlight. This re-recorded version will appear on Spektor’s forthcoming album, What We Saw From the Cheap Seats, as a bonus track for the deluxe version. Spektor’

  • boston

    Tour Sampler CD-R by Cerce This is the first time I’m hearing Boston’s Cerce, and it’s an almost abusive experience. The band’s heavy, fist-clenching riffs are thick, distorted, and mix-punching. The drums are fast and relentless. They break into the occasional blast beat as well, making

  • Electronic music producer Luke Abbott–creator of one of my favorite 2010 albums, Holkham Drones–has a new track out titled “Modern Driveway.” The track’s hypnotic repetition executed by subtle beats and analog synths is to be expected, but the chord progression on this track feels pretty uplifting to

  • indie

    The Magnetic Fields have always had an unconventional approach to love songs so it’s only fitting that their videos follow suit. In their new video for “Quick!”–which is a track fromo their most recent studio effort Love at the Bottom of the Sea–a strange woman who shares