Rogue Taxidermy by Days N' Daze I may not be about that folk punk life, but I can certainly enjoy the music, can’t I? Days N’ Daze is a Houston, TX band–because they’re too punk for Austin–and they’ve been putting out records since the
Rogue Taxidermy by Days N' Daze I may not be about that folk punk life, but I can certainly enjoy the music, can’t I? Days N’ Daze is a Houston, TX band–because they’re too punk for Austin–and they’ve been putting out records since the
Kijinoise by Kijinoise Here’s something that caught my ears while wading through Bandcamp earlier today. Kijinoise is a Chinese musician who has been uploading projects quite prolifically since late last month, using solely a guitar to deliver a fuzzy fusion of drone, noise, progressive rock, doom, and free improvisational
Kye, the record label of one of my very favorite artists Graham Lambkin, has put out its final two releases of 2014. The first is Australian novelist Matthew Revert‘s Not You, a singer-songwriter project with lo-fi and electroacoustic inclinations, as you’ll find with cut “The Heart’s Heartbeat”
UK singer-songwriter and musical oddball Dean Blunt releases an album that’s difficult to put into words. While simple in composition and sloppy in execution, the album still manages to draw up some real feelings of isolation, melancholy, and frustration.
Pianos Become the Teeth deliver a terrifyingly bland followup to 2011’s The Lack Long After.
With upcoming 10″ single “Sue (Or in a Season of Crime)/’Tis a Pity She Was a Whore,” David Bowie ventures deeper into avant-garde territory. The B-side, streamable above, is a chaotic big band experiment that evokes an Elizabethan incest tragedy – quite a leap from the mild experimentation of last
Earthborn Evolution by Beyond Creation I’m no technical death metal fiend, but I’ve been warming up to the new Beyond Creation album lately, and I’m really liking what I’m hearing. These guys dropped a debut album in 2011, but Season of Mist reissuing the record in
Deerhoof compliments one of the most unsettling and noisy tunes on their latest record with a strange video about interconnectedness. We seem to have a few twin-like characters who share pain in the same way a one-way street shares traffic. Whatever happens to one seems to impact the other, and
A$AP Mob‘s resident Trap Lord A$AP Ferg comes through with a new single featuring West Coast up-and-comer YG. I think it’s safe to assume we’re gonna have an album cycle soon, but I can’t say this track here has gotten me excited for it.
