At long last, here’s how I’d rank the albums of Icelandic singer, songwriter, producer, arranger… pop avant-gardist, Björk.
The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
As we all know at this point, Mark Kozelek is never not recording music, hence the recent announcement of a new collaborative album with Blackstar saxophonist/flautist Donny McCaslin and drummer/previous collaborator Jim White. Mark has a solo album dropping in May, as well as a Sun Kil Moon
Kero Kero Bonito is back with a new single called “Only Acting,” which is being heralded as their first song to prominently feature rock instrumentation. The hook is power pop bliss, but there’s a bit of a dark undercurrent to the whole thing, which I at first suspected came
The deluxe version of Joji’s debut EP In Tongues was released a few days ago, and in it is several remixes from the likes of Ryan Hemsworth, Actress, and Lapalux. Among the most radical of these is Lunice’s take on “Demons,” which transforms the song into a wonked-out
Following the (fraternal) twin lead singles “Leave It in My Dreams” and “QYURRYUS,” The Voidz have shared “Pointlessness,” the closing track of their sophomore album Virtue. As the title suggests, the song is a bit of a downer in both theme and sonic palette, but judging from this and Tyranny
The magical monthly segment where Anthony briefly touches down on a gauntlet of albums he didn’t get a chance to review this past month.
Black Panther The Album boasts compelling production and features, but is let down a bit by the core voices.
Had it not gone under my radar, this latest album from Cuban jazz singer Daymé Arocena likely would have been my favorite jazz release of 2017.
NY pop duo MGMT executes a fantastic return to form with the sounds of synth pop on Little Dark Age.
