Up-and-coming producer Clarence Clarity take a uniquely dense and cacophonous approach to pop and R&B on his hour-long debut.
RI noise rock duo Lightning Bolt is back, continuing to prove they’re one of the most standout names in noise rock.
MY SEMI-MONTHLY VINYL UPDATE! YEAHHAHHAHAH! In this video, I’m showing off some recent additions to my record collection, and going into how I feel about some of ’em.
While not as stuck in the past and weakly produced as Wilson’s last full-length, Hand. Cannot. Erase. displays a similar lack of excitement when it comes to rehashing ideas from classic progressive rock albums.
Heems (ex-Das Racist) comes through with his first commercial project since going solo.
In my opinion, Kanye West’s latest single is the best teaser track we’ve heard for his upcoming album thus far.
Leviathan comes through with what’s surely to be one of the most dense, grand, experimental, and hellish black metal albums this year. I’m also talkin’ this album out with Dead End Hip Hop’s Myke C-Town.
Boston rock outfit pile follows up their most popular record yet with a series of songs that sound somewhat unfocused and incoherently aggressive. Still the same band at their core, but they’re currently working with a slightly unflattering sound.
One of New York’s most celebrated hip hop duos, Cannibal Ox, is back with their first album in over a decade!
Despite plenty of cooking time and an endorsement from the one and only Nas, Fashawn’s long-awaited followup to 2009’s Boy Meets World doesn’t live up to expectations.
