Synth funk and alternative R&B aesthetics clash on Toro y Moi’s latest album.
Remind Me Tomorrow is a little all over the place in terms of style and pacing, but is nevertheless another solid set of songs from Sharon Van Etten.
Despite being bookended by a few awkward detours, Assume Form contains James Blake’s best writing and production since the earlier part of this decade.
While not Future’s most cutting-edge release, The WIZRD is packed with great production, sticky hooks, and consistently electrifying vocal performances from Future himself.
Ranking the six studio albums by legendary Atlanta hip hop duo OutKast.
The EPs that comprise TDT, while very much listenable, pale in comparison to Big K.R.I.T.’s prior work.
Marquis Hill and his band come through with a vibrant blend of dynamic jazz and conscious hip hop on Modern Flows, Vol. 2.
The full-length debut from Latin trap popularizer Bad Bunny mostly sounds standard even in the context of stateside pop rap.
Anthony shows off some recent additions to his record collection, giving his thoughts on their packaging and sound along the way.
The Telescopes are a shoegaze and noise rock outfit hailing from England who have been at it since the late ‘80s. Since forming, they’ve dabbled in a myriad of other sounds ranging from the downtempo of their third album to the Metal Machine Music-esque feedback barrages of Infinite Suns.
