Other
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The music on Preacher’s Daughter could offer its harrowing narrative more support.
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Angel leaning more into a country sound goes over well, unsurprisingly. Big Time by Angel Olsen
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A more focused effort than Rook’s previous solo drop, plus an equally intense companion of sorts to Black Dresses’ recent Forget Your Own Face. UGLY DEATH NO REDEMPTION ANGEL CURSE I LOVE YOU by Ada Rook
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Shunka Ryougen bursts at the seams with experimentation, eclecticism, and social commentary that, if not always successful, are still commendable.
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Daniel Rossen’s solo debut stands taller than many Grizzly Bear albums, which is saying something. You Belong There by Daniel Rossen
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Orville Peck is bringing a panache to country music that few artists are.
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Some of the duo’s most explosive and imperative material to date.
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This album doesn’t drag on at all.
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The narrative of Glitch Princess sometimes trumps its music, though there are several beautiful highlights on that front too.
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AnCo’s first album as a quartet in nearly a decade is a mostly lovely return to form.
