lo-fi
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The Italian psych pop project known as Dumbo Gets Mad has dropped one more single from its forthcoming full-length, which is set to drop in January via Bad Panda Records. I’m digging the quirky and slightly lo-fi feel of this track. The light beat, falsetto vocals, and bouncy keyboards
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While Crystal Castles continues writing some decent electropop tunes, on III the Toronto duo sees fit to decorate all of them with generic drum timbres and an overabundance of reverb. WATCH THE REVIEW
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Sealings S/T EP by Sealings London lo-fi garage rockers Sealings have a new self-titled EP out that’s got as much fuzz as it has lethargy. The vocals are absolutely deadpan and disconnected, but meet face-to-face with some pretty energetic guitar and drums. The solos blaze, too. Look for
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There’s not much about Mr. Mac DeMarco’s outward appearance that says “rock star”–even as he’s on stage, casually singing the songs he’s written in front of his 3-piece band. But it’s something the ex-Makeout Videotape frontman is well aware of. In fact, I’d
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Ways of Being LP (2012, NNF) by Rites Wild I’m not typically one for obscured vocals and the general overuse of reverb; however, in the case of Rites Wild, I can make an exception. While Rites While may hide the more natural sounds of their music, it actually creates
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Meowtain by Meowtain <a href=”http://meowtain.bandcamp.com/album/meowtain”>Meowtain by Meowtain</a> Lo-fi pop and rock outfit Meowtain has some pretty noisy and eccentric tunes on their new, self-titled Bandcamp release, and “Species” is one of my favorite tracks from it. Over some
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Woodsist Records’ Babies have a new record on the way titled Our House On The Hill. It’s looking at a Nov. 13th release date, and “Get Lost” is one albums’ 12 cuts. The song features a messy, explosive folk rock intro–which will probably appeal to Woods fans–but
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Connecticut’s Fins have a new 7″ EP on the vay via Obscure Me Records titled Lawn Mower. “Foxfire” is one of the cuts from it, and believe me when I say it’s pretty dirty, rough, and wild. The last third is especially messy with elements of indie rock,
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Chris Cohen hits the nail on the head with an odd, breezy little pop rock number titled “Caller No.99.” It’s got a funny little guitar lead I’m sure most listeners will compare to the likes of Ariel Pink right away, and let it be known that influence
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Thee Oh Sees, Ty Segall, The Fresh & Onlys. These names stand out as leaders of the garage rock resurgence of the past couple years and while garage rock certainly never died out, these acts are often cited for bringing the raucous and ferocious sounds of the garage back into
