indie
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Though it boasts a grander sound than Baker’s past work, Little Oblivions is laden with unremarkable indie-isms.
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The Weather Station plays the sophisti-pop sound as safely as possible on Ignorance.
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Hayley Williams has transposed the derivativeness of her debut album to an indie folk context.
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The Big Thief frontwoman comes through with a set of simply great songs.
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Jean Dawson embodies the more adventurous side of indie on his sophomore album.
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While Shore finds Fleet Foxes stumbling on a few risks, the album mostly serves to streamline the band’s sound and remind us what made them so special in the first place.
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Dreamland is a nightmare of derivative and shallow-end indie trap pop.
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Women in Music Pt. III is the Haim sisters’ most solid set of songs yet.
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The emotional potency of Punisher is undeniable.
