hip hop
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Everything Is Beautiful and Everything Sucks are solid testaments to both sides of Princess Nokia.
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For all its conceptual pretense, Eternal Atake is little more than a run-of-the-mill trap album.
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On his sophomore album, Bad Bunny does for reggaeton what artists like Travis Scott and Future have done for trap.
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Whether it be in terms of vocals, production, or songwriting, My Turn never rises above being subpar and uninspired.
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Royce 5’9 is in rare form as both an MC and producer on The Allegory, an album somewhat marred by occasionally questionable messaging and a muddled concept.
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Unlocked is essentially a glitch in the matrix in hip hop form, and that’s a great thing.
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Not living up to its somber title and introduction, Funeral is another unfocused and bloated album from Lil Wayne.
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Roddy Ricch is a talented enough performer and songwriter to make up for the fact he’s still finding his voice.
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SosMula and ZillaKami diversify their sound on City Morgue’s second album.
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Stormzy realizes his pop rap ambitions on Heavy Is the Head.
