glitch
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Telas sounds like a collection of glitchy and electroacoustic leftovers—which, granted, mostly sound good—glued into quasi-longform pieces.
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While not as cohesive as Squarepusher’s seminal works, Be Up a Hello is his most solid work in at least a decade.
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H.A.Q.Q. is the culmination of all of Ravenna Hunt-Hendrix’s musical innovations this decade.
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I’m not disappointed. That’s for sure.
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i,i is in a sense a refinement of 22, A Million‘s innovations, but Justin Vernon still doesn’t seem particularly interested in tying up his songs’ loose ends.
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Comedian and actor Eric André’s very own musical side-project serves up a wild, sample-based ride into the demented side of plunderphonics on Cease & Desist. Not only that, but this record also serves as a giant middle finger to the limitations modern copyright law places on artistic expression within
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ANIMA is Thom Yorke’s strongest solo or side endeavor since The Eraser.
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Holly Herndon’s new album is partially aided by A.I. and features some creative, futuristic art pop pieces, but there are plenty of half-baked experiments as well.
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1000 gecs contains the weirdest and wildest combinations of sounds I’ve heard this year.
