Electronic
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“Love Ave” comes from the latest collection of songs from French electronic music producer Para One. The title: Passion. The tracks on this thing range from bright and bouncy electro house to smooth, synthetic future funk that I’m sure Dam-Funk fans get into pretty easily. “Love Ave” is the
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Still sweet, still catchy, still Hot Chip. WATCH THE REVIEW
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Teengirl Fantasy has put out new track “Motif”, while still sounding like themselves, they’ve also gone a bit more shoegazey on this track. Initially it sounds very non-beat driven, but a steady dance rhythm comes in at around the one minute mark and gives the song some direction. Its
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You know R&B is taking hold of underground music when a band like Yeasayer is showing it off as an influence. While, on paper, it may come off as a bit of a surprise, it doesn’t sound that alien in execution, and feels like a logical progression
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From Argentinian dance producer Mati Zundel‘s recently released LP Amazonico Gravitante comes “El Alto de la Paz,” a track that features the vocal talents of Canadian resident Boogat. The album hit the shelves on March 20 via ZZK Records, and can be snatched over at the label’s website.
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London-based producer Colin Bailey, aka Drums of Death, will follow up his Red Waves and Black Waves EPs this year with a third record in the trilogy, the Blue Waves EP. Bailey’s work is characterized by engaging melodies and delicate but intricate rhythms, and both of those qualities come
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Using the sounds of West Africa as inspiration and sampling material, the hip hop-influenced beats Débruit produces are uniquely colorful. The foreign flavors on his new album, From the Horizon, definitely give his music an otherworldly quality, but what ultimately makes this album so intriguing are Débruit’s production chops.
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Dropping July 2nd on Error Broadcast, here’s a track we’re premiering from the upcoming H-SIK EP, Cocody. Originating from the Ivory Coast, French music producer H-SIK combines elements of African music and hip hop with the jittery and relentless rhythms of footwork. He executes this infusion with some
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Nathan Fake released a 12″ release via Border Community yesterday. Merely 24 hours later, he released this song as an unreleased track. It’s fantastic. It would have fit in very well on the 12″ perfectly, with its scattered drums, manipulated synths, and hypnotic pace. This is a must-hear for
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On his new instrumental mixtape, producer Clams Casino shows off all the progress he’s made and places he’s been in the year that’s passed since he released his first instrumental tape. WATCH THE REVIEW
