Country
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Yola’s stunning writing and performances easily make up for Stand for Myself‘s general lack of novelty.
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Taylor’s version of Fearless is a respectable endeavor, even if it doesn’t sway opinions on the original album.
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To Florida Georgia Line’s credit, Life Rolls On isn’t the most abhorrent bro-country album I’ve heard in the past year.
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Chris Stapleton returns with a clean slate of sorts and the year’s best country album.
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Not much on RMR’s debut EP can hold a candle to “Rascal.”
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Southside is hard to forget for all the wrong reasons.
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Saint Cloud is an underwhelming take on indie country.
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With their self-titled debut, The Highwomen prove themselves to be a versatile country supergroup with a unique perspective.
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Just when you thought your melon had run out of ’90s and ’00s songs he wishes he repressed, here’s a whole ‘nother batch!
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On 7, Lil Nas X shows some admirable versatility while leaving plenty of room for growth.
