avant-garde

  • Burial Hex, the well established pseudonym of experimental singer-songwriter Clay Ruby, comes to a graceful end with The Hierophant, a marvelous work that fuses elements of darkwave, death industrial, and modern classical music. Stream the title track above and get the album now via Handmade Birds.

  • Burial Hex, the well established pseudonym of experimental singer-songwriter Clay Ruby, comes to a graceful end with The Hierophant, a marvelous work that fuses elements of darkwave, death industrial, and modern classical music. Stream the title track above and get the album now via Handmade Birds.

  • https://soundcloud.com/sige-1/black-spirituals-radiant With Of Deconstruction, Oakland free improvisation duo Black Spirituals has delivered one of the year’s greatest potpourri albums. Bassist and electronics operator Zachary James Watkins and percussionist Marshall Trammell found each of the album’s three substantial pieces on simple and vague grooves, exploring

  • Kijinoise by Kijinoise Here’s something that caught my ears while wading through Bandcamp earlier today. Kijinoise is a Chinese musician who has been uploading projects quite prolifically since late last month, using solely a guitar to deliver a fuzzy fusion of drone, noise, progressive rock, doom, and free improvisational

  • https://soundcloud.com/rune-grammofon/supersilent-121 On its 12th album, Norway’s eminent free improvisational outfit Supersilent is still managing to turn out some pretty evocative and extraordinary music. Having dabbled in avant-garde jazz, EAI, noise, and experimental rock throughout its career, the trio now finds itself in a decidedly dark

  • https://soundcloud.com/lescalleet/kevin-drumm-jason-lescalleet-the-echo-of-your-past-excerpt OK, I want to give a quick shout-out to this latest collaboration between seasoned electro-acoustic/drone/avant-garde/whatever artists Kevin Drumm and Jason Lescalleet – with The Abyss, they have turned out what is without question one of the darkest, most abject musical works I’ve