avant-folk
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Heavy, beautiful, and dramatic in its best moments. False Lankum by Lankum
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At times I Inside‘s generally mesmerizing music comes off as an afterthought to Harvey’s poetry. I Inside the Old Year Dying by PJ Harvey
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While a bit rockier of a journey than the previous two albums in this trilogy, The Ruby Cord is still quite an accomplishment from Richard. The Ruby Cord by Richard Dawson
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This spiritual successor to A Quiet Farwell flexes Slauson Malone’s singer-songwriter muscle.
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Leaving Meaning, while frequently stunning, feels more like a reiteration for Swans than it does an evolution.
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Richard Dawson outdoes himself with this modernist spiritual successor to 2017’s Peasant.
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Though it occasionally suffers from overambition, the jazzy I Also Want to Die in New Orleans is another helping of admirable personal and social commentary from Mark Kozelek.
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The Light Is Leaving Us All might not be particularly strange or unique in the grand scheme of Current 93’s extensive discography, but it’s nevertheless a lovely return to the band’s neofolk sound.
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Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek Mark Kozelek
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Liars’ TFCF is one of the band’s most isolated, tedious, and disappointing releases yet.
