• Coral is a collection of old and new sample-based ocean spray beats from Monster Rally, taken from their first 3 EP’s: EP, Palm Reader, and Color Sky. It includes new material as well. Influenced by the African highlife, Bahamian calypso and Tahitian nightlife, this LP is like sitting on

  • 7

    Natural Child’s self-titled 7” is a fierce piece of garage punk. These guys party hard on their songs. So hard, I had a hang over just from listening to this thing on repeat. If you’re in the market for something rough, fun, and wild, lend your ears. WATCH

  • “Airbrushed” will be the first of Anamanaguchi’s 2010 summer singles to get a physical release this March. This ultra-melodic rock anthem is an awesome overload that has to power to make both eyes and smiles to wide. There’s no doubt that these guys are smashing any preconceived notions

  • acoustic

    Last year, the comments sections of my videos were lightly peppered with suggestions of the latest Seabear album, We Built a Fire. Sorry dudes and dudettes. I guess I was busy or something. Just didn’t like it as much as I thought I would. Well, the band’s frontman,

  • Norway’s Vreid bring a really melodic face to modern black metal. The thrashy riffs and moody interludes throughout the band’s new album, V, aren’t usually so pronounced on an album of this style, but I’ll take it. They know how to be harsh, but balance it

  • After a somewhat surprising “break,” the Strokes have come back with a vengeance, wielding a new single from their upcoming album, “Cover of Darkness.” Is this track for you? Find out in this review. Review: The Strokes- Cover of Darkness Stream: The Strokes- Cover of Darkness (article link)

  • 1. Cut Copy- Take Me Over (Midnight Magic Remix) 2. Asobi Seksu- Trails (Painted Palms Remix) 3. Bilal- The Pretender (Black Milk Remix) 4. Datarock- The Pretender (Holy Ghost! Remix) 5. Dirty Beaches- The Singer (Johnny Cash Cover) 6. Beach House- I Do Not Care For the Winter Sun (Blackbird

  • James Blake’s debut album is loaded with gorgeous layers of synthesizers, beats, samples, and crooning vocals. When it comes to creating a series a pretty sounds, this guy’s album spins like gold. There’s more good than bad happening on this LP, certainly, but some moments here come

  • Since the debut of Causers of This, Toro Y Moi’s music has evolved a lot. His sophomore release, Underneath the Pine, leaves behind the summer of Chillwave and promises to be a true departure from his past efforts. This is clearly demonstrated in the vocal loop driven “New Beat.

  • Cut Copy’s latest album is sweet, danceable, and good-natured. There’s no denying that. But the personality on this album–or lack of it, really–is what prevents this album from sticking with me. The vocal melodies and lyrics are pretty underwhelming, and the grooves don’t hit as