Gonjasufi drops a video for one of his latest tracks, “the Blame.” The song comes from his new mini-album, MU.ZZ.LE. It’s out now on Warp Records, and you can find a review of it here.
On the third album to come from the Canadian synth pop project Grimes, the songs feel a little undercooked–however, I will this this project has a nice, clear sound and style. WATCH THE REVIEW
Last year, New York’s the Men dropped an album of some pretty solid rock songs. I didn’t love it, though, and I suppose it all boiled down to have disjointed the album felt. While I appreciated the styles of underground rock that were being shown off on the
A stream of the third Scuba album, Personality. The album is dropping this week via Hotflush, and strikes me as being much less ambient and spacious than the project’s last album, Triangulation. And that’s fine with me, because the rhythms on this album are pretty driving and engaging.
Here’s electronic music producer Nicolas Jaar‘s take on the Shlohmo track “Rained the Whole Time,” which comes off the Vacation EP I reviewed recently. Grab the EP now on Friends of Friends.
Milo takes Baths by Milo I warned you about the forthcoming Milo mixtape, and now it’s here. Milo Takes Baths is one track after another of witty rhymes, obscure references, and instrumentals produced by beatmusic artist Baths. Download or stream the release above, and check a video for the
Fine Before You Came is in Italian rock outfit, taking influences from the worlds of emo and post-hardcore to create its energetic and passionate songs. The group’s latest LP, Ormai, is out now via La Tempesta. Stream one of its tracks, “Dublino” above.
Not only is “Shazam” a fantastic track, showcasing a colorful beat and witty rhymes, but it also doubles as a Shaq diss track. If you don’t remember, Shaquille O’Neal actually used to have a rap career going. Don’t believe me? The song here weaves as tangled web,
26 rappers on one 22-minute track. Sounds insane, and it is, but Mishka curated it like it was nothin’. They tagged it with the title “Hyperbolic Chamber Music,” too. The song’s got a smooth instrumental that calls out to the g-funk beats the West Coast was pushin’ in the
On the new Goatwhore album–it’s the fifth in the band’s discography–the New Orleans outfit delivers a tighter, catchier style of its usual blend of thrash, black metal, and death metal. WATCH THE REVIEW
