As Darkside, Nicolas Jaar and David Harrington explore the commonalities between subtle electronics and rock grooves. It’s actually a pretty fantastic marriage!
The Industrially tinged noise rock act Haunted Horses has come through with one of the heaviest and overwhelming records I’ve heard in this genre in 2013.
Not only is Lorde’s debut album incredibly enjoyable from a melodic and lyrical standpoint, but this New Zealand singer-songwriter has shown some incredible promise at a very young age.
Earlier this week, Canadian folk artist Basia Bulat dropped her third studio album, Tall Tall Shadow. Give a listen to the LP’s dynamic title track above. The song opens with plinking organ keys and Bulat’s sober croon, but this quickly gives way to a propulsive drum beat and
Rapper Danny Brown returns with Old. It’s an album that mirrors the Detroit native’s constant cycle of drug-fueled partying and remorse that was introduced on 2011’s XXX. The major difference this time around being heavier instrumentals and Danny’s split personalities feeling even more at odds.
Daniel Lopatin’s latest full-length sees him stepping away from the extreme sampling that made 2011’s Replica so thrilling. Instead, he rests on his passion for tightly sequenced synths, and there are some somewhat engaging results.
West Coast MC LMNO laid some visuals to the track “Dyslexic” early last month, and it’s one of the many cuts from his new, Evidence-produced album, After The Fact. It’s an interesting little concept track with interesting lyrical reversals, switching letters and entire halves of words within bars
Made Man EP by Hot Sugar Beatsmith Hot Sugar has always had a quirkier style than most when it comes to production, and it’s great to hear him enlist a gauntlet of MCs that compliment it on his new Made Man EP. Now, is this thing really an EP?
Hyperdub oddity Laurel Halo has a new record coming out, following last year’s very special Quarantine. This new track, the penultimate on the LP, feels quite removed from her prior electro-pop experiments. It has a steady repetitive beat, a pretty familiar-feeling bassline, and really nothing too strange. Even Halo’
Hyperdub oddity Laurel Halo has a new record coming out, following last year’s very special Quarantine. This new track, the penultimate on the LP, feels quite removed from her prior electro-pop experiments. It has a steady repetitive beat, a pretty familiar-feeling bassline, and really nothing too strange. Even Halo’
