While Because The Internet is much more likable and ambitious than Childish Gambino’s last commercial effort, Camp, this album is not without its hangups.
Aleph has some pretty hard-hitting tech house highlights, but most of the subdued tracks just simply aren’t as engaging, and only seem like they exist to balance out the aggressive moments here–a lot of which sound very similar.
Norway’s Arabrot brings together elements of sludge and noise rock, gracing this hellish marriage with some of the most eccentric vocals I’ve heard all year.
A chilling new single from Silver Arm with the track “Steady Like A Vein.” On this track, the band’s post-punk leanings head into dark territory with wailing guitars, shouted vocals, and some grimy baselines. Enjoy!
An interesting fusion of electro house, industrial rock, black metal, and more on this new Phuture Doom album. Plenty of hard-hitting tracks on this thing. Enjoy!
Eternal Return(excerpt) by SUNN O))) & Ulver An excerpt from a soon-to-be-released track that features the artistic of both Sunn O))) and Ulver. Yes, Sunn O))) and Ulver! If you’re into the heavier and darker side of music, these are two names you’re undoubtedly familiar with, and
A captivating live rendition of “Toilet Brushes,” which is one of many cuts off the latest album from minimalist composer Nils Frahm, Spaces. The LP is out now on Erased Tapes. Enjoy!
She’s back! Annie Clark, aka St. Vincent, has announced that her long-awaited new record, St. Vincent, the follow up to her fantastic 2011 LP Strange Mercy, will be out February 25. The first single to drop from it is “Birth in Reverse,” a banging, electric, percussive track with killer
Gruesome and abrasive, this new track from sludge metal hellions Indian is not for the faint of heart. “Rhetoric of No” is a dismal display of heaviness and aggression, offering no relief in terms of melody or even a catchy vocal. It’s an auditory beating that grows more intense
Method Man teams up with the A$AP Mob’s A$AP Nast for a new single titled “Trillmatic,” which has a hard-hitting, vintage boom bap beat that nostalgic hip hop listeners will dig on. While I’m not too crazy about the “funky style” and “funky swag” oozing out
