Kid Smpl has premiered the title song off of his upcoming Silo Tear EP, bringing a moody atmosphere with low humming synthesizers and white noise layered over. “Silo Tear” has a distinct coldness to it as the song grows and progresses it builds with mechanical synths as well as some
While I wish Broken Ankles was longer, in five tracks, Girl Talk and Freeway create more compelling material than some of the more buzzed-about mixtapes that have dropped thus far this year.
CunninLynguists pack their latest project with one track after another of quality features.
While scatterbrained and underwhelming at times, Todd’s debut record here has some top-notch dance jams on it with a vintage flair.
It pains me to say it, but I don’t care for this new SZA record at all. Not just because some of the tunes are unmemorable, but her own vocal guests just step all over her and these songs.
Out of the damn blue, Aesop Rock drops a 30-minute collection of unreleased beats, loops, and sonic oddities that haven’t made his commercial releases. It’s a pretty colorful collection of tracks, honestly. It’s just as lo-fi and idiosyncratic as I’d expect. It’s kinda like a
New York’s Flatbush Zombies drop another song in a recent string of track’s they’ve been putting up on YouTube for a few weeks now. This particular one features some really pretty, atmospheric beat. As usual, Meechy Darko and Erik Ark Elliott prove to have two of the
Moloch by Merkabah Noise, progressive rock, and jazz come together on this new Merkabah album, Moloch. I’m just starting to listen to this thing, and am pretty stunned by how tight, twisted, and volatile these songs are. There’s some serious excitement in these tracks. Enjoy, enjoy, enjoy!!!
Longhena by GRIDLINK I’ll say it again: I’ve never been a huge fan of incredibly dense, cleanly produced metal. But I’m always ready to make exceptions for the right album, though. I think this new Gridlink LP is one of those moments. Man, is this thing brutal.
Another stunning set of visuals from Japanese pop phenom Kyary Pamyu Pamyu and her genius(es) who direct(s) her videos. With “Family Party,” Kyary progresses through a series of competitive challenges where she’s faced against a robot. Is this some kind of warning? Is this some kind of