Toronto R&B artist Daniel Caesar shows much songwriting potential on his debut album.
The retrospective Dedicated to Bobby Jameson finds Ariel Pink going back to his old musical stomping grounds and crafting some of his best songs yet.
Lil Dicky’s Brain alter ego has put out an EP that’s ironically brainless and very NOT GOOD.
Sleep Well Beast is The National’s most vibrant and engaging set of songs in years.
The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
Here’s the beautiful and formless lead single from Björk’s forthcoming follow-up to Vulnicura, Utopia. It’s due out sometime in November, so there’s still time to ponder how much like Tinder the album’s going to sound. (Probably not much.) Update You can watch the song’s
Unbeknownst to me, trumpeter/producer Christian Scott has been having quite a prolific 2017, set to finish out a trilogy of albums with next month’s The Emancipation Procrastination. I was lukewarm on the new-agey Diaspora, but am digging the fusion of vintage jazz and modern hip hop production on
Timber Timbre has bounced back from the disappointingly synthetic Sincerely, Future Pollution with “Les Egouts,” a bilingual loosey that brings back the moody noir aesthetic that I find so alluring about the band.
Pharma is Nmesh’s most hard-hitting and ambitious project to date.
On his sophomore album, Sydney singer/songwriter Alex Cameron consistently delivers catchy hooks and hilarious lyrics while channeling a soft rock aesthetic.
