The Gods We Can Touch is certainly a listenable pop album, but its eccentricities mostly amount to window dressing.
While Yard Act’s music could use more variation and its commentary some sharpening, The Overload is a promising start for the group.
Chatting with singer-songwriter Marisa Maino about her upcoming solo album and the controversy surrounding her band Tramp Stamps.
Y’know, sometimes you do be feeling fancy like.
Jodeki is a fun, colorful, and relatively versatile album from tricot.
Despite Cordae’s now elevated perspective, Birds Eye View offers a bit less food for thought than his debut.
Caprisongs is twigs’ catchiest and most fun project to date.
For me, the efficacy and appeal of SICK!‘s disjointedness starts to wane in the second half.
