audio review

  • On the band’s sixth album, Black Lips clean up their sound with Mark Ronson at the mixing board. And even though things are coming in cleaner and clearer, the band hasn’t lost any of their energy and attitude in the process–which is what makes Black Lips records

  • On the Shivers’ More, the band’s frontman, Keith Zariello, comes off a little more lovesick than usual. The songs here deal with many flavors of love, but many of them don’t taste all that good. And intentionally so, because More doesn’t have a very positive outlook when

  • Beirut has a new single out! Those who love hearing the sounds of Eastern European music filtered through an American lens can rejoice! But honestly, Zach Condon’s Beirut has put together two pretty solid full-length records, and this single has mouths–or ears, maybe–watering for a third. “East

  • New York’s Krallice, unarguably, are one of the current strain of American bands that are helping to keep black metal relevant in the West. I liked the band’s self-titled debut just fine, but I was expecting brighter days ahead for the group. With album after album, despite this

  • On Ulver’s latest album, the band brings on Guapo’s and Mothlite’s Daniel O’Sullivan as a collaborator. He certainly helps Kristoffer Rygg and company bring the band’s sound in a different direction for this new record, but I seriously wonder if it’s for the record.

  • Every time Cass McCombs drops an album, I feel myself swinging back and forth violently on a spectrum of enjoyment. The songs that win me over do so with little to no effort, and the songs I hate gather an immediate response from me as well. Thankfully, “County Line” is

  • Actor, writer, and rapper Donald Glover is Childish Gambino. He’s best known for his comedic output, but his rap career seems to be growing exponentially with the release of his latest EP–look out for a full-length this fall, too. We’re taking on the lead single from this

  • On his debut full-length, Outmind, Matthewdavid flips through his sketchbook of ambient drones and blurred beats, picking out the best stuff he’s got to offer so far. While he does pull some fantastic sounds together, and issue I find myself running into is the brevity of some of these

  • On these two new Record Store Day tracks to drop from Radiohead, I find myself scratching my head. It’s not because these tracks are bad, though. I actually think these tracks are great. I’m just left wondering why the tracks, for me, seemed to surpass a lot of

  • On its latest EP, which is a folloup to 2010’s Silver, Eternal Summers being four new tracks into their discography, embracing the sounds of twee and fem-powered post-punk acts the UK was churning out in the late 70s and early 80s. Though not every track here hit me hard,