art pop
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While not quite the grand artistic and social statement it was intended to be, American Utopia is brimming with forward-thinking pop and David Byrne’s unique persona.
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With In a Poem Unlimited, U.S. Girls delivers what is sure to be one of the year’s most versatile and lyrically intriguing pop albums.
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Following the (fraternal) twin lead singles “Leave It in My Dreams” and “QYURRYUS,” The Voidz have shared “Pointlessness,” the closing track of their sophomore album Virtue. As the title suggests, the song is a bit of a downer in both theme and sonic palette, but judging from this and Tyranny
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Apart from a few bright spots, I can feel you creep contains Tune-Yards’ most uninteresting and obnoxious material to date.
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With Ash, the Diaz sisters return for a sophomore record of soulful, minimal art pop.
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Utopia is one of Björk’s most majestic and revealing albums yet, but it’s also her most bloated and unkempt.
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British singer-songwriter Benjamin Clementine brings more bells and whistles on his sophomore album I Tell a Fly, but it’s unfortunately a case of more being less.
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Fever Ray returns in a diminished capacity with a long-awaited sophomore album.
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SOPHIE has returned with a single that’s quite unlike the bubblegum bass bangers that put her on the map. “It’s Okay to Cry” is instead an emotional, slow-burning art pop ballad that shows off the artist’s tender side. Fittingly, the song comes with a video wherein the
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St. Vincent delivers her most inconsistent album yet with MASSEDUCTION.