arcade fire
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If you’ve heard “The Lightning I-II,” you’ve heard the only excitement WE has to offer.
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Everything Now finds Arcade Fire making a bolder and tighter move in a dance music direction than on Reflektor, but unfortunately it’s even more of a mixed bag.
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The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
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The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
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The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
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The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
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The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
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I’ve been on the fence about many albums this year, but this is one of the few where I’m torn. For every great moment on the new Arcade Fire record, there’s one that falls incredibly short of whatever stylistic mark the band was shooting for. Rather than
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Given Reflektor‘s Orpheus and Eurydice-evoking cover art and track titles, it is fitting that Arcade Fire has appropriated footage from Marcel Camus’ classic 1959 feature Black Orpheus for the lyric video of new single, “Afterlife.” The band’s take on dance music is no less compelling here than it
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Canadian indie rock heavyweights Arcade Fire return with a new, disco-infused single from their forthcoming LP, Reflektor.
