album
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While by no means a sophomore slump, Sin miedo may leave the listener a little too hungry for more.
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K.G. sounds like a slightly weaker reiteration of King Gizz’s previous forays into microtonality.
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Megan Thee Stallion sells herself short artistically on her still mostly decent debut album.
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Though some of Lamentations‘ pieces could have used some fleshing out, it remains one of the year’s most emotionally potent ambient efforts.
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Spirit World Field Guide‘s purposeful meandering and not-so-sticky hooks are occasional turnoffs, but the album still delivers the conceptuality and adept rapping it’s safe to expect from Aesop Rock.
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Undeath’s full-length debut is a solid death metal album whose greatest sin is sometimes succumbing to the genre’s basic tropes.
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Chris Stapleton returns with a clean slate of sorts and the year’s best country album.
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Uzi and Future cancel each other out on Pluto x Baby Pluto.
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Despite its solid first half and finale, Crack a Light is Dope Body’s most predictable batch of tracks thus far.
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