On their latest LP, the Strokes want to head in a new direction, but they can’t decide on one. So they use every track to obtain a different sound. Moments like “Under Cover of Darkness” embrace what’s best about the band’s past work, but “Two Kinds of
With heavy beats and a strong flow, Reks’ latest album is an extremely admirable piece of hip hop. It’s true blue lyrical homicide. Listen to iiiiiiiiiiiiiiiiiiit! WATCH THE REVIEW
As much as it pains me to say this, there’s not much about this new Raekwon album that excites me. The beats attempt to copy the trademark RZA sound, the rhymes are decent at best, and the features are simply alright, too. It’s pretty obvious that this release
Tim Hecker’s latest album is a barren wasteland of forgotten sounds. It’s music you can truly wander through. Some tracks do feel a little short of breath, sadly, but there are many more standouts here than there are duds. It’s another strong piece of material in the
Weedeater’s new LP is a heavy piece of work. This album’s got a lot of rumble to it, but I’d say the sound here grinds your ear drums more than it shake’s ’em. The filthy distortion and Dave Collins’ trademark vocals make a great combo on
On their latest EP, Beach Fossils are shooting for stronger songs and better production. They even bring on the help of Wild Nothing’s Jack Tatum to bring one of the tracks to life. In my opinion, it’s improved the band’s sound greatly. Is this EP for you?
No! No more oatmeal, Mom! WATCH THE REVIEW
On their fifth studio album DeVotchKa goes further down the road of simplification with their sound. The songs to come off as being more immediate and catchier, but I miss the whimsical instrumentation and international flavors that used to shine a little brighter in the music. We’re touching down
