CLASSICS WEEK: Decades after its release, In the Court of the Crimson King still stands tall as one of the greatest and most relevant progressive rock albums ever. WATCH THE REVIEW
CLASSICS WEEK: Dead Kennedys’ Plastic Surgery Disasters is easily one of the most creative, colorful, and unique hardcore albums of the 80s. With stellar performances from the band and some of the best social satire out there from frontman Jello Biafra, this record deserves much more praise than it actually
CLASSICS WEEK: With eccentric rhymes and colorful beats, Madvillain’s Madvillainy is easily one of my favorite hip hop albums ever. A modern classic. WATCH THE REVIEW
This is the longest YUNOREVIEW I’ve ever done. Not sure I’ll ever wanna do something like this again, ha! Well, anyway, if a particular artist who released an album, EP, or mixtape earlier this year somehow did not make this list, then you might as well give up
SUFJAN STEVENS IS CHRISTMAS! WATCH THE REVIEW
On her full-length debut, UK singer-songwriter Lianne La Havas shows off a great voice, a 6th sense for melody, and a lot of promise. WATCH THE REVIEW
On this new pair of tracks, dubstep innovator Burial uses gaps and silence to progress his ever-growing interest in longer song lengths and ambient atmospheres. WATCH THE REVIEW
On Finally Rich, Chief Keef sit back on some previously released internet hits and a few new cuts to keep the Chicago trap rap star’s name out there as we transition into 2013. WATCH THE REVIEW
Though Jesus Piece is easily the most focused album the Game has released in years, it lacks the follow-through to truly develop the concept implied by the cover art, sketches, and song titles. There’s some pretty good production on here, though. WATCH THE REVIEW
While Big Boi’s latest album boasts some pretty eclectic and exciting collaborations with indie darlings like Wavves and Little Dragon, the end results are nowhere near surprising or exciting. WATCH THE REVIEW
