TDE’s Kendrick Lamar gives us another taste of his forthcoming album with “The Blacker the Berry.” It’s a lyrically nuanced portrayal of one character’s reaction to the racial tensions that boiled over for much of 2014.
The latest installment of Matana Roberts’ Coin Coin series shifts the narrative down a drone-laden, cluttered pathway.
Director, screenwriter, and infamous soundtrack composer John Carpenter surprises fans with an album of non-soundtrack material.
Zs’ latest album shows the band taking a more stripped back approach to their hypnotically repetitive approach to experimental rock, jazz, and drone.
The magical monthly segment where I briefly touch down on a gauntlet of albums I didn’t get a chance to review this past month. These are just my short, straightforward, passionate, biased opinions.
Icelandic singer, songwriter, producer Björk is back with another record, and it’s one filled with romantic heartbreak and whimsical instrumentation.
With what might be his final project with Atlantic Records, Lupe Fiasco releases his most conceptual and headiest album in years, backing these tracks up with an instrumental set that’s a step above what he delivered on his two previous LPs.
Grindcore godfathers Napalm Death prove their lasting power in yet another decade.
Glasgow indie pop veterans Belle and Sebastian release their danciest, punchiest album yet.
New York rapper Joey Bada$$ meets expectations on his commercial debut.
