The new War On Drugs album is a winning combination of psychedelic rock, krautrock, folk, and Americana–just like the band’s last album, but better.
The latest EP from Evian Christ shows noticeable improvement in the rising star producer’s production chops.
Tycho makes the transition from hazy bedroom producer to what almost sounds like a full instrumental rock band on this latest record of his.
Indiana rapper Freddie “Gangsta” Gibbs teams up with legendary hip hop producer Madlib for one of the most essential hip hop albums of the year.
La Dispute comes through with a worthwhile followup to 2011’s Wildlife. While some of the stories aren’t as enthralling, the band’s minor alterations to their sound this time around makes this record worth checking out if you’ve been following them up until this point, or if
Pharrell’s latest full-length album has a few bright spots, but a great deal of it is a falsetto-led nightmare.
When it comes to loud, visceral trap rap, there are plenty of songs worth recommending on this new Migos mixtape. The problem is it’s so packed with filler that finding the cartoony, eccentric, and occasionally hilarious gems on this thing can be a bit of a chore.
Like usual, the new Real Estate records is an incredibly breezy jangle pop affair.
White Suns’ latest release is one of the most twisted blends of noise and rock I’ve heard this year.
While the more slow, syrupy side of Beck’s discography appeals to many, it never has to me. Morning Phase shows beck returning to the stomping grounds of albums like Mutations and Sea Change, but with instrumentation and tunes that are far more uninteresting.
