Fetty Wap’s debut album has some of the hottest singles of 2015 on it, but the deep cuts feel like Fetty and his producers tried to recreate the success of “Trap Queen” again and again.
Black Breath goes for a more dynamic sound on its latest record.
Run the Jewels drops the highly anticipated cat-centric remix album of their sophomore album.
Deafheaven returns with a set of ambitious, dynamic songs mixing black metal and indie-flavored instrumental rock.
Milo returns with a confrontational album backed with a series of synthetic, jazzy instrumentals from Kenny Segal.
The Front Bottoms come through with their most slick album yet, a real fusion of emo, pop punk, and power pop.
Julia Holter’s latest record is one of the most heavenly albums I’ve heard in the past five years.
Ought’s neurotic, jittery approach to art rock and post-punk really impressed me on their latest album. Still room for improvement, but very impressive.
While a few tracks feature an equal and exciting marriage of Champagne Papi and Future Hendrix, most of what’s here feels like DS2 runoff with a solid Drake feature.
Lana Del Rey’s latest project, surprisingly, is an improvement on the singer’s previous releases.
